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Description
pedal filter Hiwatt Custom Filter Fuzz Effects Pedal BlackThe Filter Fuzz is the Hiwatt Custom Shop's tone obsessed take on your favourite Classic '60s Fuzz. Designed through collaboration of two Hiwatt Custom Shop heavyweights, the Filter Fuzz aims to offer old school all analog sensibility with extended gain and frequency range. A historical nod to the '69 sounds produced on the album Grand Funk; this 'free love' moment between a Musicraft Messenger guitar and a Heathkit Fuzz has been the tone chasing
The Filter Fuzz is the Hiwatt Custom Shop's tone-obsessed take on your favourite Classic '60s Fuzz. Designed through collaboration of two Hiwatt Custom Shop heavyweights, the Filter Fuzz aims to offer old-school all-analog sensibility with extended gain and frequency-range. A historical nod to the '69 sounds produced on the album Grand Funk; this 'free-love' moment between a Musicraft Messenger guitar and a Heathkit Fuzz has been the tone-chasing inspiration for our filter section.
Specs
- input: 1/4" Mono Input
- output: 1/4" Mono Input
- Master Volume: Adjusts the output volume. Unity comes relatively early, with massive boost capability following.
- Fuzz: Clockwise increases saturation and sustain. This control has been optimized in the interest of even linear response, beginning with subtle (allowing the volume boost and tone controls to be utilized and shine independent of the distortion) and topping out unwieldy.
- 3-Way Rotary Filter Switch: Three hand-selected low-cut filters, optionally engaged using the filter bypass footswitch. Can be utilized to emphasize a mid-pushed, parked-wah, punchy, lo-fi vibe. Interacts heavily with the Master volume and Fuzz controls. This filter can have extreme impact through interaction with other controls, sometimes causing spitting, zippery, gated, and octave-like responses. Also offers a perceptual boost which can be used to kick just above unity or push leads to the forefront.
- Thick: Carefully curated to optimize low-frequency response. Clockwise emphasizes low frequencies, Counterclockwise cuts low frequencies and allows mid-range and top-end clarity to shine through. This EQ control comes pre-gain, acting as a one-size-fits-all tone-shaper from thundering, wooly, subby clockwise to forward, bright and biting counter-clockwise.
- Filter Bypass
- Effect Bypass
- Internal Bias Trim Pot: Clockwise increases volume and clarity of the circuit, Counterclockwise emphasizes spitting, gating.
- height: 85mm (~4")
- width: 106mm (~5")
- depth: 235mm (~10")
- weight: 0.85 Kg (~2 lbs)
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4.1 ★★★★★
Based on 24 reviews
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Product Reviews
★★★★★ 4
A
This is a great resource. I thought I created great presentations before. Reading this made me realize the mistakes I was making and have me a process for really improving my decks
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Reviewed in the United States on August 29, 2014
★★★★★ 5
So glad that I have bought these books from Amazon
Format: Paperback
Still working on getting through, I try and read more each day
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Reviewed in the United States on November 5, 2025
★★★★★ 5
Must read
Format: Paperback
Impressive second book by Justin Driver.
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Reviewed in the United States on October 1, 2025
★★★★★ 5
Excellent!
Format: Paperback
Excellent read!
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Reviewed in the United States on October 5, 2025
★★★★★ 1
A Disconnected and Legally Shaky Defense of Racial Preferences
Format: Paperback
While this book raises some thought-provoking points, it ultimately reads like a product of self-righteous elites disconnected from reality and from the American public.
1. Ignores public opinion.
The author never acknowledges that polls consistently show Americans oppose racial preferences in college admissions. Proposition 16—which would have allowed such preferences—was defeated by a wide margin in 2020 in California, one of the nation’s most liberal states. A Brookings poll found that virtually all racial groups, including Black respondents, supported the Supreme Court’s Students for Fair Admissions (SFFA) decision.
2. Starts with a strange premise.
The first chapter claims conservatives will “regret” the SFFA ruling because universities will continue racial preferences covertly. But that sidesteps the real question: why shouldn’t colleges comply with the ruling’s letter and spirit?
3. Offers dubious legal advice.
In Chapter Three, the author—himself a law professor—floats risky ideas for “working around” the Supreme Court’s decision. Many of these suggestions rest on shaky legal ground, as anyone familiar with the Second Circuit’s CACAGNY v. Adams, 116 F.4th 161 (2d Cir. 2024), would recognize.
4. Ignores proportionality and real-world outcomes.
The book argues for “diversity” preferences without asking how much preference is justified. In reality, Asian American applicants face steep penalties. e.g. Stanley Zhong was rejected by five University of California campuses’ Computer Science programs as an in-state applicant—shortly before Google hired him for a full-time, Ph.D.-level software engineering position. Meanwhile, UC San Diego’s own freshman math-placement data show a surge of students—mostly “underrepresented minorities” favored by UC—placed into remedial courses, some testing at a 4th-grade level. It is hard to see how admitting these students is helping them other than allowing some elites to make themselves feel good or get a promotion.
If this book represents what passes for legal scholarship at Yale, the state of American legal education should worry us all.
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Reviewed in the United States on October 12, 2025